《民族藝術(shù)》2013年第5期目錄
藝術(shù)名家
胡光華 當(dāng)代中國(guó)工筆畫(huà)的變革創(chuàng)新——謝少威教授與中國(guó)當(dāng)代工筆畫(huà)的新創(chuàng)造
神話·圖像
葉舒憲 中日玉石神話比較研究——以“記紀(jì)”為中心
戲曲文獻(xiàn)研究
傅 謹(jǐn) 劇本戲劇性的批評(píng)與清宮戲曲文獻(xiàn)
民間文學(xué)前沿講壇
呂微 神話信仰-敘事實(shí)踐的內(nèi)容與形式
李昕桐 呂微等 《神話信仰-敘事實(shí)踐的內(nèi)容與形式》問(wèn)答、評(píng)議與討論
文化遺產(chǎn)關(guān)鍵詞
鄭向春 獎(jiǎng)勵(lì)
路 芳 生態(tài)
謠言探究
施愛(ài)東 2013雅安地震謠言探究
學(xué)術(shù)訪談
廖明君 王懷義 建構(gòu)中國(guó)神話美學(xué)研究的基本范式——王懷義博士訪談錄
藝術(shù)探索
時(shí)勝勛 藝術(shù)身份：中國(guó)當(dāng)代藝術(shù)的身份焦慮及其精神境界
王 東 抽象藝術(shù)：“形象”的另種運(yùn)用——圖語(yǔ)關(guān)系理論視野下的現(xiàn)代藝術(shù)研究之一
海外視域
阿爾弗雷德·蓋爾 關(guān)祎 魅惑的技術(shù)與技術(shù)的魅惑
文學(xué)·文化
王學(xué)文 張域 中國(guó)民間文藝知識(shí)產(chǎn)權(quán)保護(hù)現(xiàn)狀、問(wèn)題與對(duì)策
耿 波 畢會(huì)娜 “文化遺產(chǎn)保護(hù)北京學(xué)派”的理論與實(shí)踐
戲劇·音樂(lè)·舞蹈
陳志勇 戲神研究的觀念、方法與戲劇史意義
張麗軍 泉州梨園戲傳統(tǒng)服飾形制的地域性特征
尹慶紅 民歌與文化認(rèn)同——以南寧國(guó)際民歌藝術(shù)節(jié)為例
李紅云 《剪剪花》的淵源及結(jié)構(gòu)藝術(shù)
許 恩 宋元明清時(shí)期吳地的“舞”與“戲”
官效臣 舞蹈“意境”的藝術(shù)體現(xiàn)與審美特征
美術(shù)與考古
練春海 博山飾源流考
邵曉峰 《五山十剎圖》中的南宋佛教家具研究
藝術(shù)·文化
張蓓蓓 宋代軍戎服飾藝術(shù)探微
謝圣明 清末書(shū)畫(huà)助賑與書(shū)畫(huà)市場(chǎng)的近代轉(zhuǎn)型
鄭 丹 “以小觀大”：南宋山水畫(huà)情境營(yíng)造圖式的價(jià)值取向與現(xiàn)代轉(zhuǎn)換
周永民 張翎 何炳欽陶藝設(shè)計(jì)藝術(shù)的美學(xué)特征
王凱宏 王鐵軍 綏棱彩陶藝術(shù)特點(diǎn)與發(fā)展對(duì)策
陳曉宇 從《天山組曲》看民族音樂(lè)元素的運(yùn)用與演繹
中青年藝術(shù)家
包志鋼 獲取感受真知 抒寫(xiě)心靈真情
Contents
The Innovation of Chinese Contemporary Claborate-Style Painting——Professor Xie Shaowei and the Creation of Chinese Contemporary Claborate-Style Painting ……………………………………………………………Hu Guanghua
A Comparative Study of the Jade Myth of China and Japan——Taking Jiji as Focus…………………………………………………………………Ye Shuxian
The Criticism of Dramatic Properties of Play and the Literature of the Chinese Opera of the Qing Dynasty ……………………………………………………Fu Jin
The Content and Form of the Belief in Myths and of Narrative Practice………Lv Wei
Question and Answer、Review and Discussion of “The Content and Form of the Belief in Myths and of Narrative Practice”………………………………Li Xitong and Lv Wei
Encouragment and Reward……………………………………………Zheng Xiangchun
Ecology…………………………………………………………………………Lu Fang
A Research of the Rumours about the Ya’an Earthquake of 2013………………………………………………………………………Shi Aidong
Constructing the Fundamental Paradigms of the Aesthetic Study of Chinese Myth——An Interview with Dr. Wang Huaiyi…………Liao Mingjun and Wang Huaiyi
Identity of Art: The Anxiety of Identity and the Spiritual Realm of Chinese Contemporary Art……………………………………… Shi Shengxun
Abstract Art: Another Way of Using the ‘Image’—— A Study of Modern Art
in the Perspective of the Theory of the Relation Between Image and
Language ………………………………………………………………Wang Dong
The Technology of Enchantment and the Enchantment of Technology…………………written by Alfred Gell, translated by Guan Yi
The Status、Question and Countermeasure of Intellectual Property Protection of Chinese Folk Literature and Art…………………Wang Xuewen and Zhang Yu
The Theory and Practice of Bei Jing School’s Cultural Heritage
Protection……………………………………………………Geng Bo and Bi Huina
The Concept and Method of the Study of God of Drama and Its Meaning in the History of Chinese Opera……………………………………………Chen Zhiyong
The Regional Character of Traditional Clothing of Quanzhou Liyuan Opera………………………………………………………………………Zhang Lijun
Folk Song and Cultural Identity: Taking Nanning International Folk Song Festival As Example…………………………………………………Yin Qinghong
The Origin of Jian Jian Hua and Its Structure ……………………Li Hongyun
The “Dance” and “Play” in Wu Area from Song to Qing Dynasties……… ………………………………………………………………Xu En
Artistic Refection and Aesthetic Character of the “Artistic Conception” of Dancing ……………………………………………………………Guan Xiaochen
An Investigation of the Origin and Development of Bo Shan Ornaments………………………………………………………………Lian Chunhai
A Study of Buddhist Furniture of the Southern Song Dynasty in “the Figure of Five
Mountains and Ten Temples” （Wu Shan Shi Sha Tu）……………………Shao
Xiaofeng
An Exploration of Army Dress in Song Dynasty………………………Zhang Beibei
The Donation of Calligraphy and painting in Late Qing Dynasty and the Modern Transformation Calligraphy and Painting Market………Xie Shengming
‘Seeing Large in the View of Small’: the Value Orientation and Modern Conversion of Constructing the Image of Landscape Painting in Southern Song Dynasty…………………………………………………………………Zheng Dan
The Aesthetic Character of He Bingqin’s Art of Pottery Design …………………………………………………Zhou Yongmin and Zhang Ling
On Artistic Features of Suileng Colored Pottery and and the Strategies for its Development…………………………………………Wang Kaihong and Wang Tiejun
The Use and Deduction of National Music Element in Tian Shan Suite………………………………………………………………………Chen Xiaoyu
Obtaining Real Knowledge, Expressing Real Emotion…………………………………………………………………Bao Zhigang
（李修建譯，范丹姆審訂）