《內蒙古大學藝術學院學報》
2012年第1期中英文論文摘要、關鍵詞
藝術三維
納日碧力戈
（復旦大學社會科學高等研究院，上海 200433）
摘 要： 在皮爾士指號體系中，對象關系有“象似” “標指” “象征”三類。我們可以用它們來觀察藝術現(xiàn)象，并試圖證明這三種指號在藝術現(xiàn)象中同時存在，互動共生、互為環(huán)境、互為結構，可稱為“藝術三維”。如果我們把藝術三維和文化人類學結合起來，就能夠兼顧藝術的形、氣、神，就能兼顧物性、心印和語言，也就能更加深刻地思考和回答問題。
關鍵詞：藝術三維；象似；標指；象征；藝術現(xiàn)象
Three Dimensions in Art
Naranbilig
(SocialSciencesAcademy of FudanUniversity, Shanghai 200433, China)
Abstract:In Peirce's sign system, there are three object relations: icon, index, symbol. We can use them to observe the phenomenon of art, and try to prove these three signs coexist, are interactive and the environment structure for each other, can be called "artistic three dimensions". If we combine artistic three dimensions and cultural anthropology, we will be able to take into account the form, spirit and image of art and will be able to take into account the properties of the mind and language, will also be able to think and answer questions more deeply.
Key words:three-dimension art; icon; index; symbol; artistic phenomenon
藝術區(qū)的解構與建構
——北京798藝術區(qū)田野考察筆記
劉明亮
（齊魯師范學院美術學院，山東 濟南 250013）
摘 要：以北京798藝術區(qū)為例，考察了其藝術生態(tài)及其變遷。通過數(shù)據(jù)統(tǒng)計和田野考察，客觀呈現(xiàn)了北京798藝術區(qū)在其建構和解構的過程中不同力量的變動以及利益轉移及其所遇困境，同時指出其解構和建構的過程仍在進行。
關鍵詞：田野考察；798藝術區(qū)；建構；解構；多元互動；變遷
The Deconstruction and Construction of Art Zone
——Fieldwork notes on Beijing 798 Art Zone
LIU Ming-liang
( Art College of QiluNormalUniversity, Jinan 250013,China )
Abstract: Taking Beijing798 Art Zone as an example, this article studies its ecological and the evolution of art. Through the statistical data and field investigation, objectively presents different force change and transfer of interest and its difficulties of Beijing798 Art District in the the process of construction and deconstruction, at the same time points out that the deconstruction and construction is still in progress.
Key words: field investigation; 798Art District; construction; deconstruction; interaction; change
待從頭 收拾舊山河
——新年畫運動分析
亢寧梅
（淮陰師范學院中文系，江蘇 淮安 223001）
摘 要：新年畫運動是新中國成立以來第一場聲勢浩大的美術運動，新年畫與新中國圖像形成了復雜的互文關系。這種從外部改造藝術發(fā)展規(guī)律、改造民俗，同時也改造藝術家的運動對以后的美術發(fā)展產(chǎn)生了重大影響。它構建了民族想象的共同體，表現(xiàn)了共產(chǎn)黨人領導的新政權的現(xiàn)代性訴求。新年畫運動追求藝術的功利性，付出了犧牲藝術自律、損毀傳統(tǒng)民間信仰的巨大代價。
關鍵詞：新年畫；民俗；意識形態(tài)；民族想象
Clean Up the Old Mountains and Rivers and Start a New Life
——An analysis of the Movement of new New Year paintings
KANG Ning-mei
(Department of Chinese, HuaiyinNormalUniversity Huaian 223001, China)
Abstract: The movement of new New Year paintings was the first great new art movement since the founding of new China, the new New Year paintings and the new Chinese image formed a complex interaction. The external transformation of art development, transformation of folklore, and at the same time the artist's movement on the subsequent art development was to produce major effects. It established the national imagined community, represented the new regime led by Communists and the appeal to modernity. New New Year paintings movement pursued artistic utilitarianism, paid the huge price for sacrifices self-discipline of art, break traditional folk beliefs of.
Key words: new New Year paintings; folklore; ideology; national imagination.
非物質文化遺產(chǎn)的保護與利用問題探析
汪 欣
（中國藝術研究院藝術人類學研究中心，北京 100029）
摘 要：保護和利用不是文化遺產(chǎn)保護中兩個對立的命題。保護是維護文化遺產(chǎn)特定歷史屬性的基礎，而利用則是激發(fā)文化遺產(chǎn)生存活力，促使其融入當代社會生產(chǎn)生活實際的現(xiàn)實需要，是保護的題中之義和延續(xù)。從非物質文化遺產(chǎn)單一項目和區(qū)域綜合性文化遺產(chǎn)保護的角度，探討非物質文化遺產(chǎn)資源的合理利用問題。
關鍵詞：非物質文化遺產(chǎn)；保護；生產(chǎn)性保護；合理利用
An Approach to the Protection and the Utilization of
the Intangible Cultural Heritage
WANG Xin
(Center for Art and Anthropological Studies of China Academy of Art, Beijing, 100029, China)
Abstract:The protection and utilization are not two opposing propositions of cultural heritage protection. Protection is to safeguard the cultural heritage of a particular historic property, while the utilization is to stimulate the vitality of cultural heritage survival, facilitating their integration into the actual reality of the contemporary social production and living needs, is the meaning and continuity in the protection issue. This article explores the rational use of resources of the intangible cultural heritage from the perspective of a single item of intangible cultural heritage and regional comprehensive cultural heritage protection.
Key words:non-material cultural heritage; protection; production and protection; rational use of.
達斡爾族音樂生活調查筆記
張?zhí)焱?/p>
（中國音樂學院，北京 100101）
摘 要：2011年2—3月筆者作了達斡爾族個人音樂生活經(jīng)歷的調查，共訪問了7位達斡爾人，以了解和認識達斡爾人音樂生活狀況及其變遷，也是對達斡爾族進行音樂學研究的基礎工作。這些信息無疑都是今后進一步深入研究達斡爾族音樂的重要線索。
關鍵詞：調查筆記；達斡爾族；音樂生活
The Survey Notes of Dagur Music Life
ZHANG Tian-tong
(China Conservatory, Beijing 100101,China)
Abstract:The author has done the music life experiences survey from February to March2011, visiting seven Dagur people. The purpose of the survey is to understand and recognize the Dagur people music life condition and its change, and do the basic music research. This information will undoubtedly be an important clue for the further study of Dagur music is.
Key words:survey notes; Dagur people; the music of life
多民族交融中的云南通?？h興蒙鄉(xiāng)蒙古族婦女服飾
常雯婕
（玉溪師范學院教育學院，云南 玉溪 653100）
摘 要：云南省通海縣興蒙鄉(xiāng)蒙古族置身于云南大雜居、小聚居的多民族交錯居住的特殊地理環(huán)境中，與漢族、彝族、回族、哈尼族等民族不斷交流融合，其民族文化形態(tài)呈現(xiàn)多樣化特征。這一特征也體現(xiàn)在興蒙鄉(xiāng)蒙古族婦女服飾上。
關鍵詞：云南；民族交融；興蒙鄉(xiāng)；蒙古族；服飾；文化特征
Mongolian Women's Clothing in Multi-ethnic Blend
in Tonghai Xingmeng Township
CHANG Wen-jie
(Institute of Education, YuxiTeachers College, Yuxi 653100, YunnanProvince)
Abstract: Xingmeng Mongolian live in the special geographic and multi-ethnic environment with mixed exposure to Yunnan, some live in small communities, with the Han, Yi, Hui Hani and other ethnic groups with continuous exchange integration, diversification of their national and cultural characteristics of this form of presentation characteristics. This feature is also reflected in Mongolian women's clothing of Xingmeng.
Key words:Yunnan; ethnic blend; XingmengTownship; Mongolian; clothing; cultural features
呼和浩特市銀飾制作工藝調查
——以鄂爾多斯頭飾為例
李 迪
（內蒙古大學藝術學院，內蒙古 呼和浩特 010010）
摘 要：在當今全球化經(jīng)濟的時代背景之下，傳統(tǒng)的具有較強功能性、實用性的蒙古族銀飾制作，在民間制作領域有著怎樣的發(fā)展？通過一套鄂爾多斯頭飾的銀飾制作過程，可以看到，除了對傳統(tǒng)銀器工藝的主體繼承，現(xiàn)在的銀器手工藝制作已經(jīng)有了幾個方面的變化。
關鍵詞：民族藝術；銀飾制作；工藝技法；鄂爾多斯頭飾
Investigation of Hohhot City Silver Production Technique
——Taking Ordos headdress as an example
LI Di
(Art College of Inner MongoliaUniversity, Hohhot 010010, China)
Abstract:The article analyzes the Mongolia nationality silver production with a strong tradition in the functional utility under today's global economy background, and the development of the folk production field. Through a set of Ordos headdress silver production process, we can see that in addition to the traditional inheritance of main body of silverware, silver handicrafts now has several aspects of changes.
Key words:folk art; silver production; technique; Ordos headdress
陜北綏德寨則山石綿羊陣調查
李東風
（西華師范大學美術學院，四川省 南充市 637009）
摘 要：陜北綏德縣寨則山村有一石綿羊陣，每年的農歷七月十五日有石綿羊會進行祭祀活動?？疾旌笳J為，該縣石綿羊陣與綏德盛產(chǎn)石頭的地理環(huán)境，與上古五龍氏、人的起源等傳說有一定的關系，流傳于村中的傳說和其嬗變過程，正是村民鬼神信仰、自然崇拜和地域文化結合的社會心理反映，是中國傳統(tǒng)文化的留存。
關鍵詞：陜北；綏德；寨則山；石綿羊陣；調查
Survey on Stone Walled Sheep Array in Zhaizeshan Suide
North Shanxi
LI Dong-feng
( Art College of WestChinaNormalUniversity, Nanchong 637009, China)
Abstract:There is a Stone Walled Sheep Array in Zhaizeshan Suide North Shanxi and on July 15th of Lunar Year, there is a stone sheep sacrifice activities. According to the survey, it shows that it has certain relation to the rich stone geographical environment in Zhaizeshan Suide, and the ancient five dragon 's family, the origin of man and other tales. The legend and its evolution is reflection of the social psychology, the supernatural beliefs, worship of nature and local culture combination, and it is the preservation of Chinese traditional culture.
Key words:Suide in North Shanxi; Zhaizeshan; Stone Walled Sheep Array; survey
科爾沁蒙古族短調民歌旋律風格特征探析
李世相
（內蒙古大學藝術學院，內蒙古 呼和浩特 010010）
摘 要：長期以來，學術界對如何劃分民歌風格色彩區(qū)關注較多，而對于各風格色彩區(qū)民歌的旋律音高組織、音樂節(jié)奏組合、旋律展衍規(guī)律等學理上的研究較少?？茽柷呙晒抛宥陶{民歌獨具特色，旋律風格體現(xiàn)于“平穩(wěn)進行的說唱性”“節(jié)奏組合的對稱性”“善用襯腔的抒情性”與“調性思維的豐富性”等方面。
關鍵詞：蒙古族；科爾沁；短調民歌；旋律風格；說唱性；敘事性；節(jié)奏組合；襯腔抒情
An Approach to the Characteristics of the Mongolian Short tune Folk Song Melody Style
LI Shi-xiang
(Art College of Inner MongoliaUniversity, Hohhot 010010, China)
Abstract:The academic circle has long been paying more attention to the division of the folk style color area, but less of an academic research organization, the combination of music rhythm, melody exhibition derivative of folk melody pitch of the style. Mongolian short tune folk songs are unique with melodic style of "smooth rap", "symmetry of rhythm combination "and the use of " lining the cavity of the lyric" and the "richness of tonal thinking".
Key words:Mongolian; Horchin; short tune folk songs; melodic style; rap; narrative; rhythm combinations; lining cavity lyric
布里亞特蒙古族
對稱性兩句體短調民歌結構梳理
李玉英
（內蒙古大學藝術學院，內蒙古 呼和浩特市 010010）
摘 要：布里亞特蒙古人的民間音樂文化絢麗多姿，其民歌風格、色彩與蒙古其他部族以及鄂溫克族、鄂倫春族、達斡爾族迥異。對布里亞特蒙古族民歌的分析、解構后發(fā)現(xiàn)，其民歌形態(tài)以“對稱性”與“非對稱性”結構民歌為主。
關鍵詞：布里亞特蒙古族；民歌形態(tài)；結構分析；對稱；非對稱
On the Sorting of symmetry two body short tone folk
song structure of Buriat Mongolian
LI Yu-ying
(Art College of Inner MongoliaUniversity, Hohhot 010010, China)
Abstract:Buryat Mongols folk music culture is colorful and its folk song style and color are quite different from those of other Mongolia tribes or Ewenki, Oroqen, Dagur. The Buryat Mongolian folk song's analysis and deconstruction show that its folk songs are in the form of“symmetry”and“asymmetric”structures.
Key words:Buryat Mongolian; folk morphology; structural analysis; symmetry; asymmetry
宗教中的音樂文化
——關于音樂的傳統(tǒng)性與神圣性的哲學思考
周 鐘
（貴州大學人文學院，貴州 貴陽 550025）
摘 要：音樂是一種文化。從音樂文化傳統(tǒng)與宗教生活、音樂文化精神與宗教哲學、音樂文化神圣性與宗教感三個方面，將音樂文化與宗教聯(lián)系探究。
關鍵詞：音樂文化；宗教；傳統(tǒng)性；神圣性
Music Culture of Religion
——Philosophical thinking of music tradition and sanctity
ZHOU Zhong
(School of humanities of GuizhouUniversity, Guiyang550025, China)
Abstract:Music is a kind of culture. This article makes a study of the related research between music culture and religion from the three aspects: music cultural tradition and religious life, music cultural spirit and the philosophy of religion, sacred music culture and feeling of religion.
Key words:music culture; religion; traditional; sacred
多維視野下的門德爾松：
信仰、身份、接受、復興
王明華
（上海音樂學院，上海200031）
摘 要：門德爾松生前作為音樂家是榮耀的，但身后對他的評價卻有爭議。從其宗教信仰背景和社會職業(yè)身份進行探討，反思門德爾松的音樂價值。認為，門德爾松代表著19世紀上半葉德國音樂的發(fā)展狀況，由一些原因造成的對其人其樂的偏見應該得到糾正。
關鍵詞：門德爾松；猶太人；新教徒；市民音樂家；接受；復興
Viewing Mendelsohn from Multidimensional Perspective:
Faith, Identity, Accept, Renaissance
WANG Ming-hua
( Shanghai Conservatory, Shanghai 200031, China)
Abstract:Mendelsohn was glorious as a musician, but the assessment of him is controversial after his death. This article discusses his religious background and the social occupation identity reflecting Mendelsohn 's worth of music. Mendelsohn represents the German music development in the first half of the nineteenth century, and some prejudice toward him should be corrected.
Key words:Mendelsohn; Jews; Protestants; resident musician; accept; Renaissance
淺談聲樂演唱中的情感體驗
阿如娜
（內蒙古大學藝術學院音樂系，呼和浩特 010010）
摘 要：情感體驗離不開對音樂作品的闡釋。以聲樂作品《斷橋遺夢》為例，分析歌曲創(chuàng)作背景、曲式結構，并借助歌詞聯(lián)想等方式，闡釋、把握、表現(xiàn)音樂作品內涵，來談獲得聲樂演唱感情體驗的重要性。
關鍵詞：聲樂演唱；音樂作品；《斷橋遺夢》；情感體驗
An Approach to Emotional Experience in Vocal Music Singing
Aruna
(Music Department of Art College of Inner Mongolia University of s Hohhot 010010, China)
Abstract:Emotional experience is inseparable from the musical interpretation. In vocal music works."" broken dream as an example, to analyze the song creation background, musical structure, and with lyrics legend, interpretation, performance, grasp the connotation of musical works, obtain the importance of vocal emotion experience.
Key words:vocal music; music works;" broken bridge" Leaving Dream; emotional experience
簡述740練習曲演奏技巧
在即興伴奏中的應用
王 霞
（內蒙古師范大學音樂學院，內蒙古呼和浩特010010）
摘 要：分析車爾尼740練習曲不難發(fā)現(xiàn)，曲集主要以練習手指的快速跑動、琶音、雙音、和弦（包括柱式和弦、分解和弦）、裝飾音、八度練習、同音反復等技術動作為主，而這些多是即興伴奏常用到的織體類型。盡管現(xiàn)在有人認為車爾尼練習曲已經(jīng)過時了，我們也承認它的局限性，但就即興伴奏的練習而言，740練習曲是有針對性和應用價值的。
關鍵詞：車爾尼740練習曲集；即興伴奏；織體
A Brief Description of the Application of 740 Etude
Playing Skills in the Impromptu Accompaniment
WANG Xia
(MusicCollege of Inner MongoliaNormalUniversity, Hohhot 010010, China)
Abstract:The analysis of 740 Etudes discovers that it is not hard to practice and the technique s are mainly practice finger fast running, arpeggios, dual tone, chord ( including type chord, chord ) ornamentation, eight degrees, and repeated practice technical movements, and these are commonly used to impromptu accompaniment texture types. Although some people think that Czerny etudes is outdated, we also recognize its limitation, for improvisation exercises,740 etudes is targeted and has the application value.
Key words:Czerny 740 Etudes set; impromptu; texture
論蒙古族題材電視劇的“女性想象”
李樹榕
（內蒙古大學藝術學院，內蒙古呼和浩特010010）
摘 要： “女性想象”，并非專指女性藝術家進行的創(chuàng)造性想象，而是指在藝術活動中，創(chuàng)作主體自覺把關乎女性的表象記憶和文化經(jīng)驗運用新的結構組成“新形象”的思維活動。蒙古族題材電視劇中的女性想象，直面現(xiàn)實的社會問題，攜帶著蒙古民族的文化經(jīng)驗，飽含著世界觀、人生觀和價值觀的思想傾向，充滿了建構和諧社會的藝術智慧和美學追求。
關鍵詞：蒙古族題材；電視??；女性想象；文化訴求
Of "Female Imagination" in Teleplays of Mongolian Theme
LI Shu-rong
(Art College of Inner MongoliaUniversity, Hohhot 010010, China)
Abstract:"Female imagination" does not specifically refer to the creative imagination of the female artists, but rather in the artistic activities, the creation subject consciously uses the appearance of memory and cultural experiences related to women's, thinking of the "new image" with the new structure. The female imagination in the Mongolian teleplays face the reality of social problems, carrying the cultural experience of the Mongolian people, full of the ideological tendencies of the world, life and values, full of the artistic wisdom of building a harmonious society and aesthetics pursuit.
Key words:Mongolian theme; teleplays; imagination; female imagination; culture need
從《胡楊女人》談蒙古族題材電視劇發(fā)展
郝鳳彩
（內蒙古大學藝術學院，內蒙古 呼和浩特 010010）
摘 要：蒙古族題材電視劇《胡楊女人》的成功，主要得益于其主題對于普世價值的選擇、劇中民俗元素的體現(xiàn)及跨民族嫁接增加看點的獨特創(chuàng)作模式。這些為文化產(chǎn)業(yè)化背景下，蒙古族題材電視劇的產(chǎn)業(yè)化創(chuàng)作提供了可資借鑒的發(fā)展思路。
關鍵詞：蒙古族題材；電視?。弧逗鷹钆恕?；產(chǎn)業(yè)化創(chuàng)作
On the Development of the Mongolian Television Show
Taking"Populus Woman" as An Example
HAO Feng-cai
(Art College of Inner MongoliaUniversity, Hohhot 010010,China)
Abstract:The success of the Mongolian Teleplays "Populus Woman" is mainly due to the choice of the theme of universal values, the embodiment of folk elements in the play and the unique creative mode of cross-national grafting increase. These have provided the ideas of development for the industrialization of Mongolian television under the background of cultural industry
Key words:Mongolian theme; TV play; "Populus Woman"; industry creation
電視劇《胡楊女人》對民族文化資源的挖掘
張淑梅
（內蒙古大學藝術學院，內蒙古 呼和浩特 010010）
摘 要：蒙古族題材電視劇《胡楊女人》對民族文化資源進行了深度開發(fā)。意識形態(tài)文化資源的開發(fā)和利用是重點；自然景觀沙漠胡楊被賦予了有足夠市場增值潛能的文化價值而被挖掘開發(fā)，給人耳目一新的感覺；蒙古族女性、蒙古族老人等也作為體現(xiàn)蒙古族文化根本的文化資源進行了深度開發(fā)，這是可貴的以人為本的人本精神的重要體現(xiàn)。
關鍵詞：電視?。幻晒抛孱}材；《胡楊女人》；民族文化資源；挖掘
On the Excavation of the National Cultural Resources in
TV Series "Populus Woman"
ZHANG Shu-mei
(Art College of Inner MongoliaUniversity, Hohhot 010010, China)
Abstract: Mongolian TV Series "Populus Woman" cultivated the resources of the national culture in-depth. First of all, the development and use of the ideology of cultural resources is the key; Secondly, the natural landscape of the desert was given there is sufficient market value-added potential of cultural values and mining development, giving a fresh feel; Thirdly, Mongolian women, the Mongolian elderly are also reflected in-depth development as resources of Mongolian culture, which is an important manifestation of the valuable human-oriented spirit.
Key words:teleplay; Mongolian theme; "Populus Woman"; national cultural resources; mining use
蒙古族題材電視劇中文化符號及其傳播
——以電視連續(xù)劇《胡楊女人》為例
陳 煜
（內蒙古大學藝術學院，內蒙古 呼和浩特 010010）
摘 要：蒙古族題材電視劇以民族文化符號為載體，展示了豐富的蒙古民族生活，反映其獨特的精神世界和深厚的文化意蘊，對蒙古族的歷史和文化進行了嶄新的抒寫。電視劇《胡楊女人》充分利用民族文化符號擴大了傳播效果。
關鍵詞：電視劇；蒙古族題材；文化符號；傳播；《胡楊女人》
Cultural Symbols and Its Transmission in the Mongolian Theme Teleplays
——A case study of the TV series "Populus Woman"
CHEN Yu
(Art College of Inner MongoliaUniversity, Hohhot 010010, China)
Abstract: The Mongolian theme teleplays take national cultural symbols as a carrier, showing a wealth of Mongolian life, reflecting its unique spirit world and the deep cultural connotation, giving a new description of the Mongolian history and culture. The TV series "Populus Woman" makes full use of the national cultural symbols to expand the communication results.
Key words:TV series;Mongolian theme; cultural symbols;communication; "Populus Woman"
蒙古族傳統(tǒng)家具
裝飾圖案的工藝技法及審美
王明娜
（內蒙古大學藝術學院，內蒙古 呼和浩特 010010）
摘 要： 蒙古族傳統(tǒng)家具的裝飾圖案，可在一定程度上體現(xiàn)當時、當?shù)氐奈幕刭|和民族藝術水準。其工藝技法多樣且多變，裝飾圖案所具有的象征性及其審美價值，值得我們去探討和研究。
關鍵詞：蒙古族；傳統(tǒng)家具；圖案；工藝技法；象征意義；審美效果
Technique and Aesthetics of Mongolia Traditional Furniture Decorative Pattern
WANG Ming-na
(Art College of Inner MongoliaUniversity, Hohhot 010010, China)
Abstract:Mongolia traditional furniture decorative pattern, to some extent, reflect the local cultural content and the national standard of art.. The technique is diverse and changeable, decorative pattern has the symbol and its aesthetics, making refraction for the Mongolia nationality culture research. We can feel this from the present collected furniture, the Mongolian furniture worth to be explored and studied.
Key words:Mongolian;traditional furniture;design pattern;technique; symbolic meaning;aesthetic effect
從巖畫看草原文化之宗教精神
馮軍勝
（內蒙古社會科學院，內蒙古呼和浩特010010）
摘 要：宗教精神是民族文化中有重要特性的要素。民族的文化個性常常與其所信仰的宗教聯(lián)系著。靈魂觀念是原始宗教的發(fā)端，這類原始崇拜的內容廣泛，且歷時久遠，是人類對客觀世界蒙昧認識的產(chǎn)物，它對文化建設有著根的意義，有些在現(xiàn)代生活中仍有其影響，在北方草原巖畫中亦多有刻畫。
關鍵詞：巖畫 ；宗教精神 ；草原文化
Viewing the Religious Spirit of the Prairie Culture
from Cliff Paintings
FENG Jun-sheng
( Inner MongoliaAcademy of Social Sciences, Hohhot010010,China)
Abstract: Religious spirit is the important properties of national culture. National cultural personality is often linked to the religion. The concept of the soul is the originator of primitive religion, and this kind of primitive worship has a wide range of topics, which lasted long. It is the product of human's ignorant understanding of the objective world, it has a root meaning to its cultural construction. Some still has the effect in modern life, which is described in the northern cliff paintings.
Key words: cliff paintings; religious spirit; prairie culture
網(wǎng)絡文學“作品與世界”關系辨析
張清君
（呼倫貝爾學院，內蒙古海拉爾021008）
摘 要：以艾布拉姆斯為代表的傳統(tǒng)文學觀念中，作品與世界的關系經(jīng)常被表達為“文學來源于生活而高于生活”，但網(wǎng)絡文學解構現(xiàn)實生活，虛擬生活情境，從另外一個角度卻反映出了現(xiàn)實世界中人們對普世生活的具有逃避性質的精神面貌，也充分說明了“作品與世界”這一關系概念在不同文學發(fā)展時期，同樣具有開放性的理論指導價值
關鍵詞：艾布拉姆斯；傳統(tǒng)文學；網(wǎng)絡文學；文學理論；現(xiàn)實生活；虛擬生活
An Analysis of the Rrelationship between Network Literature
" Works and the World"
ZHANG Qing-jun
( HulunbeierUniversity, Hailar021008,China)
Abstract: Represented by Abrams in traditional literary ideas, the relations between the work and the world is often expressed as " literature comes from life and higher than life", but in the network literature, real life is no longer the basic material of literary manifestations, and real life concept is no longer a literary expression of all purposes. Network literature deconstructs real life, is the virtual life situations. It reflects escape nature from the real universal life, gives full description of the relational concept of " works and the world" has the same openness theory guiding value in different literary development periods with from another perspective.
Key words:Abrams;traditional literature; Internet literature; literary theory; reality; virtual life
中亞新著：《絲綢之路上的金帳汗國城市》
列斯科夫1 奈馬克2 著 王垚磊 譯 毛民 校
（⒈美國 費城 賓夕法尼亞大學博物館；⒉美國 紐約 霍夫斯特拉大學）
關鍵詞：藝術考古；書評；金帳汗國；歷史
New Work of Central Asia:" City of the Golden Horde
on Silk Road"
Written by 1.Leskov 2. Naymark; Translated by Wang Yaolei ; Prrofread by Mao Min
(Museum of the University of Pennsylvania, Philadelphia, the United States of America; Hof Stella University, New York, America )
Key words:art archaeology; book reviews; the Golden Horde; history
現(xiàn)代圖書出版中的書裝設計新理念
喬蘇芝
（遠方出版社，內蒙古 呼和浩特 010010）
摘 要：現(xiàn)代圖書出版中，圖書裝幀地位舉足輕重。書裝設計者打破傳統(tǒng)，出現(xiàn)了以多樣設計，注重功能和節(jié)約，追求內容與形式統(tǒng)一等新的理念。
關鍵詞：圖書出版；書裝設計；新理念
The New Concept of Modern Book Design
QIAO Su-zhi
(Yuanfang Publishing House, Hohhot010010,China)
Abstract: Book binding and layout play a decisive role in modern book publishing. The book designers break the tradition, and new ideas of a variety of design, appeared in, paying attention to function and saving, the pursuit of unity of form and content have appeared.
Key words: book publishing; book design; new concepts