《內(nèi)蒙古大學藝術學院學報》2010年第3期論文摘要、關鍵詞（漢英）
青海黃南藏戲遺產(chǎn)傳承與表述
——以托葉瑪鄉(xiāng)西頃村蒙古族藏戲演述與文化認同田野考察為例
曹婭麗
（青海民族大學， 青海 西寧 810007）
摘 要：采取民族學與戲劇民族志的研究方法，以青海黃南藏族自治州河南蒙古族自治縣托葉瑪鄉(xiāng)西頃村藏戲表述與文化認同為例，進行田野考察研究。立足于托葉瑪鄉(xiāng)西頃村藏戲的演述特點，從藏戲在蒙古族僧俗群眾中的傳承與表述、蒙古族認同藏戲的文化背景和信仰特征入手，探析了藏戲在蒙古族族群流變中的民族文化認同和作為非物質(zhì)文化遺產(chǎn)的藏戲在蒙古族群中的文化認同。
關鍵詞：青海；藏戲藝術；蒙古族；傳承；文化認同
分類號：J802.6文獻標識碼：A文章編號：1672-9838（2010）03-0005-08
Inheritance and Expression of Qinghai Huangnan Tibetan Opera
——Case study of the Tibetan Opera performance of Xiqing Village Tuoyema Township and fieldwork of cultural Identity
CAo Ya-li
(QinghaiNationalUniversity, Xining, QinghaiProvince 810007)
Abstract: Taking Ethnology and drama ethnographic research methods, taking Tibetan Opera performance of Xiqing Village Tuoyema Township and fieldwork of cultural Identity as example, this article is based on the performance features of the opera, examining the inheritance and expression of Tibetan Mongolian monks, the cultural background of Tibetan Mongolian identity and belief characteristic to research on the national cultural identity of Tibetan opera in Mongolian ethnic group and the cultural identity of Tibetan opera as a and intangible heritage in the Mongolian cultural groups.
Key words: Qinghai; Tibetan opera art; Mongolian; heritage; cultural identity
民間臨濟派道場音樂的文化傳統(tǒng)及變遷
——湘黔交界北部侗族地區(qū)的再研究
張應華
（貴州大學藝術學院， 貴州 貴陽 550003）
摘 要：鑒于民間臨濟派道場儀式音樂文化近十年的變遷，借用文化變遷理論、儀式音樂研究理論以及社會人類學的理論，對湘黔交界北部侗族地區(qū)民間臨濟派對道場儀式的時空結(jié)構及其變遷、儀式的“音聲”傳統(tǒng)及其變遷進行了實地調(diào)查和理論思考，并在此基礎上提出，通俗音樂的“在場”表演是該道場儀式音樂文化變遷的顯現(xiàn)標志，并進一步探討了該道場“儀式音聲”的雙重結(jié)構及其文化象征，以及通俗音樂“在場”的操作策略及其文化訴求等問題。
關鍵詞：儀式音樂；民間臨濟派；道場音樂；文化傳統(tǒng)；文化變遷
分類號：G112 文獻標識碼：A 文章編號：1672-9838（2010）03-0013-11
Cultural Tradition and Transition of the Folk Linji Style Taoist Rites
——Re-research on Dong area to the north of the Hunan-Guizhou border
ZHANG Ying Hua
（Art Institute of Guizhou University, Guiyang, Guizhou Province 550003）
Abstract: In view of nearly a decade of change of folk music culture ritual of folk Linji style Taoist rites, this article borrows the cultural transition theory, rites music research theory and the theory of social anthropology, does some survey and theoretical thinking of the time and space construction and the evolution of cultural tradition and transition of the folk Linji Style Taoist Rites on Dong area to the north of the Hunan-Guizhou border, and based on this further puts forward that the popular music’s “being on the scene” performance is a symbol of the music culture transition. It further discusses the dual structure and the cultural symbol as well as the operation strategies and cultural appeal to the popular music’s “being on the scene” performance.
Key words:ritual music; folk Linji style; Taoist rites music; cultural traditions; cultural changes
祭 典 與 狂 歡
——廣西金秀大瑤山瑤族師公跳盤王調(diào)查
谷家榮
（云南大學西南邊疆少數(shù)民族研究中心， 云南 昆明 650091）
摘 要：跳盤王是廣西金秀大瑤山操“勉語”的瑤族族群每年定期祭辦的傳統(tǒng)性節(jié)日。儀式活動有單村自辦或多村聯(lián)辦等多種類型。傳統(tǒng)的儀式活動主要由瑤族師公主持，祭祀過程繁瑣而神圣。然而，隨著現(xiàn)代文明進程的推進，大瑤山從封閉走向開放，傳統(tǒng)的跳盤王祭典交織進多種現(xiàn)代因素，儀式特質(zhì)異化嬗變，慶典娛神更娛人。
關鍵詞：廣西；大瑤山；瑤族；傳統(tǒng)節(jié)慶活動；跳盤王
分類號：G04 文獻標識碼：A文章編號：1672-9838（2010）03-0024-06
Fiesta and Carnival
——Survey of Master’s Tiaopanwang of Yao People in Guangxi Jinxiu Dayao Mountain
GU Jia-rong
(SouthwestBorderMinorityResearchCenter of YunnanUniversity, Kunming, Yunnan province, China 650091)
Abstract: Tiaopanwang is the traditional festival held every year by Yao people ethnic group with “mian language ”in Guangxi Jinxiu Dayao Mountain. The ceremonies are held by villages or village groups. The traditional ritual is hosted mainly by Yao Masters, the process misellaneous and sacred. However, with the advance of modern civilization, DayaoMountain has been changing from the closed to an opening state, the traditional dance woven into a variety of modern factors and the celebration is becoming more entertaining.
Key words: Guangxi; DayaoMountain; Yao people; traditional festive events; Tiaopanwang
儀式舞蹈與歷史記憶
——彝族花鼓舞起源初探
黃龍光
（玉溪師范學院文學院， 云南 玉溪 653100）
摘 要：彝族花鼓舞是古代彝族在魯祖業(yè)山巔祭祖大典上踏平尖刀草集體歌舞儀式的緬懷和承繼，是之后六組分支、向四方披荊斬棘、開疆擴土遷徙事件的一個行為敘事和儀式模擬，是一個飽含彝族遷徙歷史記憶的儀式舞蹈，富有深層文化涵義和社會功能。
關鍵詞：彝族；花鼓舞；起源；民間儀式；歷史記憶
分類號：J722.“29”文獻標識碼：A文章編號：1672-9838（2010）03-0030-06
Ritual Dance And Historical Memory
——An Approach to the origin of the Yi Huagu Dance
HUANG Long-guang
(College of Liberal Arts of YuxiTeachers College, Yuxi, Yunnan Province, China 653100)
Abstract: Yi Huagu Dance is ancient Yi people’s recalling and succession of the collective dancing and singing ceremony of stepping on the grass on the ancestor worship grand ceremony on the top of Luzuye mountain. It is the imitation and narration of six –group division, overcoming all obstacles, the event of an expansion behavior of soil movement, Yi dance is a movement full of historical memory of the ceremony and full of deep cultural meaning and social function.
Key words: Yi Huagu Dance; origin; civil ceremony; historical memory
中國視野中“field work”的概念認知
——對周代“采風”制度及1990年以來相關文獻的梳理與思考
劉振濤
（中國音樂學院音樂學系， 北京 100101）
摘 要：田野工作是民族音樂學學科建立、發(fā)展的基石，沒有前者就無所謂后者。但學界在“田野工作”這一概念的使用與認知方面，頗有些混亂?？偨Y(jié)梳理此領域20年間的重要文論，結(jié)合周代的“采風”制度，對其進行定量性的統(tǒng)計與梳理。以期揭示“field work”一詞在不同表層概念中的深層文化內(nèi)涵，統(tǒng)一學界的概念使用與認知，建立相對一致的話語文本。
關鍵詞：采風制度；田野工作；東方；西方；概念認知；文化觀念
分類號： G04文獻標識碼： A文章編號： 1672-9838（2010）03-0036-04
Conceptual Cognition of “field work” from Chinese Perspective
——Carding and pondering over the Zhou Dynasty “folk song collection”system and the relevant literature documents since 1990
LIU Zhen-tao
(Music Department of ChinaMusicCollege, Beijing, China 100101)
Abstract: The field work is the footstone for the establishment and development of ethnomusicology. Without field work there would be no ethnomusicology. However, quite a lot of confusion existed concerning the using and recognition of the concept of “field work”. This article summarizes 20-year important documents and theories, combing with Zhou Dynasty“folk song collection”system to make quantitative statistics and try to reveal the deep cultural connotation of“field work”in different levels for the unified academic use and cognition, to establish of relatively consistent discourse text.
Key words: folk songs collection system; field work; East; West; conceptual cognition; cultural values
文化生態(tài)視域下那達慕的傳承與保護
張曙光
（中國國家圖書館， 北京 100081）
摘 要：那達慕是在蒙古族游牧生產(chǎn)、生活中發(fā)生、發(fā)展、演變而來的一項傳統(tǒng)的民俗活動。那達慕是復合的符號體系和文化生態(tài)鏈，融會了政治、經(jīng)濟、生產(chǎn)、生活、宗教信仰、象征藝術、社交來往、民族心理等文化現(xiàn)象于一身，表達著蒙古族深層的文化信仰和追求。由此，對那達慕的保護其實就是對其生存和延續(xù)的文化整體空間的保護，那達慕依存于草原特定的生態(tài)環(huán)境，它與整個草原文化相關聯(lián)。草原生態(tài)環(huán)境是那達慕產(chǎn)生、存在和存續(xù)的根基與條件。
關鍵詞：蒙古族；傳統(tǒng)文化；那達慕；傳承空間；草原生態(tài)保護；烏珠穆沁旗
分類號：G112文獻標識碼： A文章編號： 1672-9838（2010）03-0040-06
Inheritance and Protection of Naadam from the Cultural and Ecological Perspective
ZHANG Shu-guang
(National Library of China, Beijing 100081)
Abstract: The Naadam is a folk activity originated, developed and evoluted from Mongolian nomadic production and life. Naadam is the complex symbol systems and cultural ecological chain with the mix of the cultural phenomena of politics, economics, production, life, religion, symbolic art, social contacts, national psychology, expressing deep Mongolian cultural beliefs and aspirations. Thus, the protection of Nadam is actually the protection of the whole cultural space for the continuation of their survival. Nadam is dependent on the particular ecological environment of grassland and it is associated with the whole grassland culture. Grassland ecological environment is the the foundation and conditions for Naadam’s origin,existence and survival.
Key words: Mongolian; traditional culture; Naadam; inheritance space; grassland ecological protection; Uzhumuchin Banner
尋訪蒙古國長調(diào)民歌的足跡
——蒙古國境內(nèi)長調(diào)民歌的田野調(diào)查
盛 麗
（內(nèi)蒙古群眾藝術館， 內(nèi)蒙古 呼和浩特 010010）
摘 要：蒙古族長調(diào)民歌，是跨境分布的一種民族音樂形式，是內(nèi)蒙古自治區(qū)最具代表性的非物質(zhì)文化遺產(chǎn)項目之一。2008年根據(jù)中蒙兩國達成的聯(lián)合協(xié)議，內(nèi)蒙古自治區(qū)文化廳派出專家組，與蒙古國同仁一道，對蒙古國喀爾喀部長調(diào)民歌進行了實地的田野調(diào)查，初步了解了三個風格區(qū)的區(qū)域分布、歷史淵源、社會習俗、音樂形態(tài)、傳承人的狀況，取得了階段性成果。
關鍵詞：蒙古族長調(diào)民歌；蒙古國；風格區(qū)；田野調(diào)查
分類號： J607文獻標識碼： A文章編號： 1672-9838（2010）03-0046-07
Tracing of the Mongolian Long-tune Folk Songs
——The fieldwork long-tune folk songs In Mongolia
SHENG Li
(Inner MongoliaMassArtCenter, Huhhot, Inner Mongolia 010010)
Abstract: The Mongolian long-tune folk songs is a form of folk music with cross-border distribution. It is the most representative of intangible cultural heritage of Inner Mongolia. According to the 2008 joint agreement reached between China and Mongolia, Inner Mongolia Autonomous Region Department of Culture sent a group of experts, together with colleagues from Mongolia, carried out a field research of the Mongolian Khalkha long-tune folk songs, and got a preliminary understanding of the three styles of area distribution, history, social customs, music form, condition of the inheritors, and had obtained good results.
Key words: Mongolian long-tune folk songs; Mongolia; style areas; field work
草原傳統(tǒng)物質(zhì)文化的變遷
——以蒙古包為例
蘇浩
（內(nèi)蒙古社會科學院， 內(nèi)蒙古 呼和浩特 010010）
摘 要：在草原豐富的傳統(tǒng)物質(zhì)文化中選擇“蒙古包”作為描述的對象，圓形蒙古包經(jīng)歷了上千年的變遷過程，其物質(zhì)的功能正在悄然消失。而保護傳承民族文化，就應該保護好與其共存亡的草原生態(tài)環(huán)境。
關鍵詞：蒙古族；物質(zhì)文化；蒙古包；變遷；原生態(tài)游牧區(qū)
分類號： G04 文獻標識碼： A文章編號： 1672-9838（2010）03-0053-04
Transition of the Traditional Material Grassland Culture
——A case study of Mongolian yurts
SU Hao
(Inner MongoliaAcademy of Social Sciences, Huhhot, Inner Mongolia 010010)
Abstract: “Mongolian yurt” is chosen from traditional grassland material culture to be the object of description. The material function of round Mongolian yurt is quietly disappearing after thousands of years changing process. The protection of cultural heritage needs the protection of grasslands environment surviving together with it.
Key words: Mongolian; material culture; Mongolian yurts; change; natural nomadic area
再現(xiàn)“蒙古樂曲”音樂之學理思考
周·特古斯
（中國音樂學院音樂學系， 北京 100101）
摘 要： “蒙古樂曲”集中體現(xiàn)了元代以來蒙古族宮廷的部分歌曲和器樂曲，是用工尺譜形式來記載的樂譜文獻。而從音樂文獻研究法、音樂經(jīng)驗法以及音樂風格的把握等方面對于蒙古族古老文本音樂再現(xiàn)的問題值得思考。
關鍵詞： “蒙古樂曲”；蒙古族傳統(tǒng)音樂；文獻研究法；音樂經(jīng)驗法；器樂化嘗試；比較
分類號：J607.12 文獻標識碼： A文章編號： 1672-9838（2010）03-0057-05
Reproduction of the Scientific Music Principle of “Mongolian Music”
ZHOU Tegus
(Music Department of the ChinaMusicCollege, Beijing, China 100101)
Abstract: “Mongolian music”embodies some of the songs and instrumental music of the Mongolian court since Yuan Dynasty and they are some music documents recorded in the form of gongchi composing. It is considerable to reflect the Mongolian ancient text music from the perspectives of research of music documents, musical experience and musical style.
Key words: “Mongolian music”; Mongolian traditional music; document research; musical experience method; attempt of the instrumental music; comparison
準格爾旗漫瀚調(diào)與準格爾旗蒙古族原生態(tài)民歌之比較
曹曄
（內(nèi)蒙古大學藝術學院， 內(nèi)蒙古 呼和浩特 010010）
摘 要：準格爾旗漫瀚調(diào)的大多數(shù)曲調(diào)來源于準格爾旗蒙古族原生態(tài)民歌，二者有許多相似之處。借鑒馮光鈺先生《中國同宗民歌》的分類方法對二者進行比較，找出其同宗淵源關系。
關鍵詞：內(nèi)蒙古；準格爾旗；漫瀚調(diào)；蒙古族原生態(tài)民歌；同宗民歌；比較 分類號：J642.22“26”文獻標識碼：A文章編號：1672-9838（2010）03-0062-08
The Comparison between Manhandiao of Zhungeer Banner and Zhungeer Mongolian Original Ecological Folk Songs
CAO Ye
(Art College of Inner MongoliaUniversity, Huhhot, Inner Mongolia 010010)
Abstract: Most of the tunes of Manhandiao of Zhungeer Banner are from Zhungeer Mongolian folk songs, and the two have many similarities. This article learns from Mr. Feng Guangyu's method of classification of“Chinese Clan Folk Songs”to compare the two to find out the relationship between them.
Key words: Inner Mongolia; Zhungeer Banner; Manhandiao; Mongolian folk songs; clan folk songs; comparison
鄂倫春民歌贊達仁的演唱藝術
曹麗艷
（內(nèi)蒙古民族大學音樂學院， 內(nèi)蒙古 通遼 028043）
摘 要：贊達仁是鄂倫春族民歌中的主要體裁形式。其旋律高亢悠揚、粗獷豪放，潤腔時用滑音和倚音等表現(xiàn)原始山野風格的技法，極具民族特色。贊達仁按題材分，可分為狩獵歌、情歌、酒歌、搖籃歌等，演唱時宜采用不同的藝術處理方式。
關鍵詞：鄂倫春族民歌；贊達仁；題材；演唱藝術
分類號：J642.21“24”文獻標識碼：A文章編號：1672-9838（2010）03-0070-06
Oroqen Zandaren folk Songs Singing Art
CAO Li-yan
(MusicSchool of Inner MongoliaNationalUniversity, Tongliao, Inner Mongolia 028043)
Abstract: Zandaren is the main genre of Oroqen folk songs. Its melodious is high-pitched with bold and unstrained, running with the glide, and its performance techniques are of the original wild style, with strong ethnic characteristics. Zandaren is divided by subject matter as hunting songs, love songs, drinking songs, cradle songs. The singing adopts different artistic approaches in performance.
Key words: Oroqen folk songs; Zandaren; subject; singing art
廣西壯族多聲部民歌形態(tài)管窺
范志國
（廣西師范大學音樂學院， 廣西 桂林 541001）
摘 要：對廣西壯族二聲部及三聲部民歌的聲部數(shù)量及演唱形式、音樂結(jié)構形態(tài)、旋律骨干音與裝飾音的特點、和聲與音程的運用及解決等的分析、梳理，試圖找出其共性，為進一步了解、發(fā)掘、傳承、保護和發(fā)展我國少數(shù)民族優(yōu)秀的音樂文化遺產(chǎn)盡一份力。
關鍵詞：壯族；多聲部民歌；形態(tài)
分類號：G642.22“67”文獻標識碼：A文章編號：1672-9838（2010）03-0076-07
An Approach to the Formation of Guangxi Zhuang Multi-Voice Part Folk Songs
FAN Zhi-guo
(MusicCollege of GuangxiNormalUniversity, Guilin, GuangxiProvince 541001)
Abstract: This paper mainly analyses and cards the number of the voice part and form of singing ,music structure formation, features of main tone of the cantus and grace note, the use and resolving of harmony and tone in order to find out the commonalities, to further understand.
Key words: Zhuang people; multi-voice part folk songs; formation
20世紀早期中國藝術歌曲的時代精神
及其在聲樂教學中的意義
鞠善日
（內(nèi)蒙古大學藝術學院音樂系， 內(nèi)蒙古 呼和浩特 010010）
摘 要： 20世紀早期，在五四運動和新文化運動的熱潮下，中國藝術歌曲逐漸發(fā)展起來，先后產(chǎn)生了一大批優(yōu)秀的作曲家與作品，并對中國后續(xù)的音樂發(fā)展產(chǎn)生了重要影響。探討之對聲樂教學實踐有積極意義。
關鍵詞：中國；藝術歌曲；20世紀早期；時代精神；聲樂教學；意義
分類號： J642.5文獻標識碼： A文章編號： 1672-9838（2010）03-0083-03
The Spirit of the Times of the Early 20th Century Chinese Art Songs and Its Significance in Vocal Music Teaching
JU Shan-ri
(Music Department of ArtCollege of Inner MongoliaUniversity, Hohhot, Inner Mongolia 010010)
Abstract: In the early 20th century, in the boom of May Fourth Movement and the New Culture Movement, the Chinese art songs gradually developed, and produced a large number of outstanding composers and works. They have had an important impact on the subsequent development of music in China. The research on them is of active significance to vocal music teaching practice.
Key words: China; art songs; the early 20th century; spirit of the times; vocal music teaching; significance
小劇種如何進入大市場
劉筠梅
（內(nèi)蒙古大學藝術學院， 內(nèi)蒙古 呼和浩特 010010）
摘 要：數(shù)量眾多的、植根于民間并代表地域文化特色的小劇種，正面臨著前所未有的生存危機和困境。要想解決這種艱難處境，有賴于法律的保護和政府的扶持，但最主要的還是小劇種本身要適應時代，進行創(chuàng)新，在此基礎上進行市場化運作，在大市場中保持鮮活的演出狀態(tài)，這樣既能使小劇種獲得生存，又能得到保護和傳承。
關鍵詞：小劇種；生存困境；法律保護；政府扶持；創(chuàng)新；市場化運作
分類號： G124文獻標識碼： A文章編號： 1672-9838（2010）03-0086-06
The Way the Small Operas Enter the Large Market
LIU Jun-mei
(Art College of Inner MongoliaUniversity, Huhhot, Inner Mongolia 010010)
Abstract: The large number of small operas rooted in local cultural with local characteristics are facing unprecedented survival crisis and difficulties. To resolve this difficult situation depends on the legal protection and government support, but the most important thing is the small opera’s adapting to the times with innovation and remain fresh performing in large market on the basis of operation of the large market. In this way, they can both survive and gain protection and inheritance. Key words: small opera; living dilemma; legal protection; government support; innovation; market operation
草原文化電視傳播現(xiàn)狀與對策
錢淑芳
（內(nèi)蒙古師范大學傳媒學院， 內(nèi)蒙古 呼和浩特 010022）
摘 要：電視藝術通過影像模式，利用現(xiàn)代傳媒豐富的視聽手段對文化進行記錄、解讀，實現(xiàn)文化傳播。但目前從內(nèi)蒙古文化生態(tài)環(huán)境看，文化的傳播并不樂觀。造成目前傳播現(xiàn)狀有文化生態(tài)環(huán)境被壓縮和創(chuàng)作者民族文化意識待加強等問題；而從國家扶持、電視自身的文化品位提升以及文化意象的擇取確是草原文化電視傳播相應的對策研究。
關鍵詞：草原文化；電視傳播；現(xiàn)狀；對策
分類號： J206.3文獻標識碼： A文章編號： 1672-9838（2010）03-0092-05
Present Situation And Countermeasures of the Prairie Culture TV Broadcasting
QIAN Shu-Fang
(MediaSchool of Inner MongoliaNormalUniversity, Huhhot, Inner Mongolia 010022)
Abstract: Through image mode, television Art, uses rich modern audio-visual means of media to record and interpret the culture to cultural transmission. But viewing from Inner Mongolia’s cultural environment, cultural transmission is not optimistic. The present situation is related to the compressed cultural ecological environment and the creator’s cultural awareness. The research on the countermeasures related to prairie culture TV broadcasting should gain support from the state, to enhance their own cultural tastes and cultural image of the grassland culture.
Key words: grassland culture; television transmission; the status quo; strategy
徘徊在全球化與民族性之間
——影片《臥虎藏龍》音樂的國際生存策略
楊凌
（北京電子科技學院人文社科部， 北京 100070）
摘 要：《臥虎藏龍》是一部獲得奧斯卡最佳音樂獎的影片，影片音樂兼具了民族性和國際化的特點。對這部影片音樂創(chuàng)作的國際化策略進行分析，以期探求其在全球化條件下可能給中國電影音樂創(chuàng)作提供的文化參考。
關鍵詞：電影音樂；《臥虎藏龍》；主題音樂；全球化；民族性；生存策略
分類號： J617.6文獻標識碼： A文章編號： 1672-9838（2010）03-0097-04
Hovering between Globalization and Nationalism
——The international survival strategies of the music of the film“Crouching Tiger”
YANG Ling
(Humanities and Social Sciences Department of Beijing Electronic Science and TechnologySchool, Beijing 100070)
Abstract: “Crouching Tiger”is a film winging the Oscar Best music Award for. The music has both the National and international characteristics. This article analyses the internationalization strategies of the music creation so as to provide culture reference to the exploration of music composing under the conditions of globalization to the music of Chinese films.
Key words: film music; “Crouching Tiger”; theme music; globalization; nationality; survival strategy
寫實繪畫的符合論根源
娜仁花
（內(nèi)蒙古大學藝術學院美術系， 內(nèi)蒙古 呼和浩特 010010）
摘 要：在當代藝術普遍的危機中，寫實繪畫的創(chuàng)作也陷入困境。然而，這并非寫實技法的問題?？疾鞂憣嵗L畫與符合論真理觀之間的思想聯(lián)系，我們會發(fā)現(xiàn)“符合”即為“真”，是傳統(tǒng)寫實繪畫所持有的真理觀。這也正是今天寫實繪畫遭遇危機背后的思想淵源。
關鍵詞：當代藝術；寫實繪畫；思想淵源；符合論
分類號： J20-02文獻標識碼： A文章編號： 1672-9838（2010）03-0101-03
The Root of Correspondence Theory of Realistic Painting
Naranhuar
(Art Department of ArtCollege of Inner MongoliaUniversity, Hohhot, Inner Mongolia 010010)
Abstract: In the general crisis of contemporary art, the creation of realistic painting is also in trouble. However, this is not a problem of realistic technique. From the investigation of the thinking links between the realistic painting and correspondence theory, we find that: “consistent”is“true”is the truth held by traditional realistic painting. This is the idea behind the the crisis that realistic painting encounter today,
Key words: contemporary art; realistic painting; ideological origins; correspondence theory
王繹《楊竹西小像》考證
楊春曉
（內(nèi)蒙古大學藝術學院美術系， 內(nèi)蒙古 呼和浩特 010010）
摘 要：現(xiàn)藏于北京故宮博物院的《楊竹西小像》是元代肖像畫家王繹的傳世作品。關于這幅肖像的主人，各家美術史和繪畫史著作卻有很大的分歧，一種觀點認為此畫主人是楊瑀，另一種觀點認為是楊謙。通過對歷史資料的分析與梳理，其像主應為元代詩人楊謙。有些美術史著作所謂像主為元代詩人楊瑀或元末退席官員楊瑀的說法其實是一種誤傳，有盡早糾正的必要。
關鍵詞：美術史；元代；《楊竹西小像》；考證；楊繹；楊瑀；楊謙
分類號：222.21.6“47”文獻標識碼：A文章編號：1672-9838（2010）03-0104-05
Inspecting “Yang Zhu-xi Figurine” by Wang Yi
YANG Chun-xiao
(Art Department, ArtCollege of Inner MongoliaUniversity, Huhhot, Inner Mongolia 010010)
Abstract: The present possession of “Yang Zhu-xi Figurine” by Wang Yi in the Beijing Imperial Palace Museum is a famous portrait by painter Wang Yi. As to the character on the portrait, there is a huge difference concerning the individual works of art history and painting history, one view holds that the owner of this painting is Yang Yu, another view is Yang Qian. The analysis of historical data and combing concludes that the man should be the poet Yang Qian. Some art history books hold that a canard that it is the poet yang Qian of Yuan Dynasty or an official Yang Qian and there is the need to correct it as soon as possible.
Key words: art history; Yuan Dynasty; “Yang Zhu-xi Figurine”; research; Yang Yu; Yang Qian
析馬薩喬畫中人的尊嚴和救贖觀
劉華英 羅玉蘭
（1.綿陽師范學院歷史文化與旅游管理學院， 四川 綿陽 621000；
2.陜西省寶雞文理學院， 陜西 寶雞 721007）
摘 要：文藝復興時期的繪畫藝術被認為是宣揚人文主義思想的重要媒介。以馬薩喬的宗教名畫《納稅銀》為例，分析作品在教堂空間中的位置、畫面的布局、人物的處理以及人物的表情動作，探究其所蘊含的深層含義。
關鍵詞：文藝復興時期；人文主義；尊嚴；救贖；馬薩喬；繪畫作品；《納稅銀》
分類號：J233文獻標識碼：A文章編號： 1672-9838（2010）03-0109-04
Analysis of Human Dignity and Salvation in Masaccio's Paintings
LIU Hua-ying，LUO Yu-lan
(1. Institute of History, Culture and Tourism Management of Mianyang Normal University, Mianyang, Sichuan Province 621000;
2. ShaanxiProvince, BaojiUniversity of Arts and Science, Baoji, Shanxi Province 721007)
Abstract: Painting art in Renaissance was considered an important medium to promote Humanism. This article takes the famous religious painting by Masaccio“Tax money”as example, analyses its position in the church, the layout, character and facial expression processing action, to explore the deeper meaning it contains.
Key words: Renaissance; humanism; dignity; salvation; Masaccio; paintings;“tax money”
淺談內(nèi)蒙古水彩畫藝術
李金風
（內(nèi)蒙古民族大學， 內(nèi)蒙古 通遼 028043）
關鍵詞：內(nèi)蒙古；水彩畫；發(fā)展
分類號： J205文獻標識碼： A文章編號： 1672-9838（2010）03-0113-03
An Approach to Watercolor Painting Art of Inner Mongolia
LI Jin-feng
(Inner MongoliaUniversity for Nationalities, Tongliao 028043)
Key words:Inner Mongolia; watercolor painting; development
陶文未釋文字對寫意印風的啟示
孟德鄉(xiāng)
(包頭師范學院美術學院, 內(nèi)蒙古 包頭 014030)
摘 要：陶文近年來逐漸成為藝術界關注的珍貴資料，已經(jīng)為許多學者所使用，并且豐富了書畫篆刻的創(chuàng)作，未釋陶文給當代寫意印風帶來了更大的想象和聯(lián)想空間，靈活借鑒未釋陶文各種風格的形式美，拓寬學習傳統(tǒng)的方法，可為時代創(chuàng)造出更加豐富多彩的寫意印風藝術形式。
關鍵詞：陶文；未釋文字；寫意；風格
分類號： J292.4文獻標識碼： A文章編號： 1672-9838（2010）03-0116-05
The Inspiration of the Un-interpreted Earthenware Script to the Freehand Style of Seal Writing
MENG De-xiang
(Art College of BaotouTeachers College, Baotou, Inner Mongolia 014030)
Abstract: Pottery script in recent years has become valuable information for the art research circle, has been used by many scholars, and has enriched the creation of the calligraphy and painting. The un-interpreted freehand style has brought larger space for imagination. Its flexibly refers to the form beauty of different styles, widens the learning from the tradition, and may create more rich art styles for the seal writing.
Key words: pottery script; un-interpreted script; freehand seal style
期盼草原油畫新的春天的到來
——“妥木斯油畫創(chuàng)作研修班結(jié)業(yè)作品展座談會”綜述
張世超 屈指
（內(nèi)蒙古大學藝術學院， 內(nèi)蒙古 呼和浩特 010010）
關鍵詞： 油畫創(chuàng)作；妥木斯；作品展；座談會；綜述
分類號： G642文獻標識碼： A文章編號： 1672-9838（2010）03-0121-05
Look Forward to the New Spring of Prairie Oil Painting
——Sum up of the“Forumof Tumus’s painting works”
ZHANG Shi-chao, QU Zhi
(Art College of Inner MongoliaUniversity, Huhhot, Inner Mongolia 010010)
Key words: oil paintings; Tumus; work exhibition; forum; summary
草原音樂的盛會多元文化的交響
——“天籟草原·內(nèi)蒙古大學藝術學院第三屆音樂節(jié)”述略
苗金海
（內(nèi)蒙古大學藝術學院， 內(nèi)蒙古 呼和浩特 010010）
摘 要： “天籟草原·內(nèi)蒙古大學藝術學院第三屆音樂節(jié)”歷時12天，以國內(nèi)專家學者講學，院內(nèi)外師生音樂會展演，參加各級各類音樂專業(yè)賽事，以及內(nèi)蒙古本土音樂展示活動及草原風俗考察調(diào)研活動為內(nèi)容，搭建了自治區(qū)專業(yè)音樂教育成果展示、音樂學學術研究與交流、民族風格原創(chuàng)音樂作品展演和音樂家與院校師生藝術實踐的平臺。
關鍵詞：內(nèi)蒙古大學藝術學院；音樂節(jié)；述略
分類號： G642.45文獻標識碼： A文章編號： 1672-9838（2010）03-0126-05
Gathering of Grassland Music, Symphony of Multi-culture
——Sum up of the“Third Music of Festival Sounds of Grasslands of Inner Mongolia University Art College”
MIAO Jin-hai
(Art College of Inner MongoliaUniversity, Huhhot, Inner Mongolia 010010)
Abstract: “Third Music of Festival Sounds of Grasslands of Inner Mongolia University Art College”lasted 12 days, domestic experts and scholars to give lectures, concerts, exhibitions and students within and outside the art college give all kinds of music participation at all levels of professional events and exhibition activities and local music of Inner Mongolia Customs investigation and research activities grassland content, build a regional exhibition on the achievements of professional music education, music and exchange of academic research, national style original music performances and art practices of musicians and college students a platform.
Key words: ArtCollege of Inner MongoliaUniversity; Music Festival; sum up
中國北方民族文化研究論文索引（1991）
其其格
（中央民族大學圖書館， 北京 100081）
關鍵詞：論文索引；中國北方民族；文化研究；民族學研究
分類號： Z87文獻標識碼：D文章編號： 1672-9838（2010）03-0131-06
Index of Research papers on Northern China Culture 1991
Checheg
(Library of Central University for Nationalities, Beijing 100081)
Key words: paper Index; northern China nationalities; culture studies; ethnic studies